Home arrow Articles arrow 300D IR Filter Mod 20 November 2008  
     
HomeGallerySolar Imagery/DataLinksContact UsSearchNews FeedsVV2Shop
Main Menu
9th European Symposium for the Protection of the Night Sky
Login Form
Username

Password

Remember me
Forgotten your password?
 
Canon 300D IR Filter Removal Mod. Print E-mail
Written by Dave Grennan   
Having spent the last year refining my astrophotography techniques.  I have now come to the conclusion that the major factor limiting my results was the IR blocking filter installed in front of the CMOS sensor by Canon. As I live in a city suburb, I need to use broadband LPRs for much of my imaging although LPR filters are great for passing some wavelenghts of light, they do absorb some light so I was being hit by a double whammy.  In order for photons to reach my sensor, the little fellers need to fight through two selective filters.  I knew I could get better results than I had been acheiving.

Why do the Mod?

The stock filter installed by Canon is designed to absorb UV and IR wavelenghts and give the optimum colour balance for normal daytime photography.  The filter does a great job on  ordinary shots but has serious shortcomings when it comes to astrophotography.  The reason is that the stock filter as well as blocking the IR wavelenghts also blocks some other wavelenghts which are a major component of some astronomical objects.  Particularly important is the hydrogen alpha wavelenght.  This forms a major component of the light from many nebulae and other astronomical objects. A popular mode of astrophotography is narrowband imaging.  The inbuilt filter pretty much prohibits this as it blocks most of the lines imaged with narrowband filters.  SInce I live in a light polluted suburbm Barrowband imaging is definitely something I want to do.  A while back I did a test.  I took a shot of M27 with an OIII filter in place.  Although I could visually see M27 through the cameras view finder, no length of exposure would record the nebula.  Nada, not a thing!!  The only conclusion I could reach was that the internal filter was blocking all of the lines which my OIII filter transmitted.

The down side of doing the mod is that normal daytime shots will not have the correct colour balance once you carry out the mod.  All photos will look very decidedly pink due to the extra sensitivity to red light.  There are two ways to correct this

1 - Use the custom white balance on the camera.  The downside of this is that you need to take a photo of a white target every time your lighting changes.  Also I think the results even when this is done is not entirely satisfactory.

1- Use a colour correcting filter.  For me this is the way to go.  No need to mess with white balance and the results look far more satisfactory than with the CWB.  European modders note:  The only filter I can find which does a satisfactory job is the XNite CC1 filter.  The shipping charges outside of the US are more than the cost of the camera.  Cost me 82USD shipping and handling for a filter that costs 76USD!!

Who should do the Mod?

My experience doing this mod was made a lot more enjoyable by following Gary Honis's procedure to the letter.  However this mod is not for everyone.  You must understand that as soon as you open the camera you immediately void your warranty.  Not a problem for me as my camera is out of warranty anyway!  Although I am not an electrical engineer by profession, I have quite a bit of experience at this kind of thing, including modifying several webcams for long exposures and replacing the CCD sensirs in these cameras.  Although the canon 300D procedure is quite straightforward you need to be comfortable with working with small scale electronics, understand electrostatic safety measures to protect your camera from damage.  If having read Gary's mod and you are not absolutely happy with carrying out the instructions, I highly recommend you leave your camera alone or get someone else to do it!  Saying all of that, I found the mod posed no major issues and I feel most people with a basic understanding of such matters will have no problems at all.

So your still reading eh?

Good, Good!

I do not intend on repeating Gary's excellent procedure as I have nothing really to add to it.  I will outline some of the difficulties I faced and how I resolved them and present some photos I took along the way.

Disassembly of the camera was fairly routine.   I just followed the steps as outlined by Gary.  A couple of notes here.  It is vital that you label all of the screws as you take them out.  I simply taped them to a piece of white paper and wrote beside them where they came from.  If you dont do this you havent a breeze of putting them back where they are supposed to go.
As for cutting the replacement glass.  I used the 3mm glass which Gary recommended in his mod procedure (from edmund optical).  I decided to cut the glass with the protective film still in place.  I used a (brand new) rotary cutter to scribe the break line on the glass.  The glass broke perfectly straight with just moderate finger pressure.  Once I installed the glass I managed to get finger marks on it when installing it in the filter frame.  After trying to clean it, I decided to cut a fresh piece as I could see micro scratches all over it from cleaning it.

The spacer shims required to bring the autofocus point back to its pre-mod position were cut from a 0.1mm 'feeler gauge' finger.  This was taped to a piece of wood and drilled with holes the same size as the CMOS assembly mounting screws and then cut to size with a scissors.

The other problems I faced were more unexpected.  It seems than Canon had used an awful ot of glue to stick the filter in place. After an hour of prodding poking and chipping the old filter, it simply would not budge.  I came to the conclusion that I was past the point of no return anyway.  So drastic action was called for.  I took a hammer and a screwdriver to it breaking the glass right in the middle.  That sorted it out pretty quickly!!  A side issue of all the glue used in the filter holder was that some of the glue had bled out an stuck the thin black gasket which surrounds the filter.  I broke this gasket a couple of times trying to carefully pry it off.  This wasn't a big issue.  When I had replaced the filter, I simply glued the pieces back in place and painted over it with some flat black modelling paint.

Some photos showing my camera at various stages of modification.


Camera with back removed

The above shows the camera with the back removed exposing the circuit board and the metal shield still in place.

Back of camera with shield removed

Now the shield has been removed exposing all the ribbon cables which need to be disconnected.

CMOS assembly uncovered

The circuit board has now been removed uncovering the CMOS assembly itself.  Now the real fun begins!!

The circuit board

The circuit board has been removed.  Note you need to take extra care hadling this.  Use proper ESD safety measures and store the board in an anti-static bag if possible. The last thing you want to do is fry one of those ICs with static from your body!

CMOS assembly

The CMOS assembly now awaits the filter replacement.  Take great care not to get finder marks on your filter when installing it.  I noticed a small finger mark on my clear glass replacement after the mod had been completed.  Thankfully its on the outside so I can clean it later.

Camara and CMOS assembly


Since I wrote this report I've now had a chance to test the newly modded camera under the stars.  My first light image of the horsehead nebula (B33) pleased me no end.

First light with modified Canon 300D


The value of modifying the camera is now patently clear to me.  You may ask, what did the pre-mod horsehead look like?  Let me put it simply.  There was no pre-mod horsehead shot because I simply couldnt record it with my camera in its pre-mod state.  A whole new world of imaging is now open to me including narrowband imaging, (when I can afford the 2inch narrowband filters).

Normal Daylight Color Correction.

I purchased an XNite CC1 colour correcting filter so that I may continue to use the camera for normal daytime shots.  Here are some images taken with and without the filter to show just how well it works.  All images were taken in "Auto" mode with flash.Post Mod without colour correcting filter

First is a shot without the camera. "Pretty in Pink" eh?
Post mod without colour correcting filter

Now the same shot with the XNite CC1 filter

Post mod with colour correcting filter

Another shot without the filter

Post mod without colour correcting filter

and again the same shot with the filter.

Post Mod with colour correcting filter

I'm very pleased with the colour balance now that the CC1 is in place.  In fact I think I prefer the colour balance than in the pre mod state.  The colours certainly strike me as being richer than before the mod.

Well now I have the best of both worlds.  A capable astro camera which doesnt cost the earth and a decent camera to take normal shots with.  Now who could argue with that!

Clear Skies,

Dave.
Latest Images
NGC 281 The Pacman Nebula exposures was 112 X 5Mins - 9Hrs 30Mins  in H Alpha on the11th &12th of November 2008 through a William Optics FLT-110 Triplet APO refractor Atik 16Hr cdd camera. Guided with a Celestron 80ED And Sac 4.2 CCD camera with PhD guiding software On a CGE mount. Processed in Images Plus V3.5 and Photoshop CS2

Description: NGC 281 The Pacman Nebula exposures was 112 X 5Mins - 9Hrs 30Mins in H Alpha on the11th &12th of November 2008 through a William Optics FLT-110 Triplet APO refractor Atik 16Hr cdd camera. Guided with a Celestron 80ED And Sac 4.2 CCD camera with PhD guiding software On a CGE mount. Processed in Images Plus V3.5 and Photoshop CS2
IC 1396 The Elephant Trunk Nebula in Cepheus HA (R+HA G,B) 240:240:120:120 image from the 07th October through to 27th October 2008 through a William Optics FLT-110 Triplet APO refractor Atik 16Hr cdd camera. Guided with a Celestron 80ED And Sac 4.2 CCD camera with PhD guiding software On a CGE mount. Processed in Images Plus V3.5 and Photoshop CS2

Description: IC 1396 The Elephant Trunk Nebula in Cepheus HA (R+HA G,B) 240:240:120:120 image from the 07th October through to 27th October 2008 through a William Optics FLT-110 Triplet APO refractor Atik 16Hr cdd camera. Guided with a Celestron 80ED And Sac 4.2 CCD camera with PhD guiding software On a CGE mount. Processed in Images Plus V3.5 and Photoshop CS2
NGC2024 The HorseHead Nebula B33 HA (R+HA G,B) 240:240:90:120 28th of October through to 1st of November 2008 through a William Optics FLT-110 Triplet APO refractor Atik 16Hr cdd camera. Guided with a Celestron 80ED And Sac 4.2 ccd camera with phd guiding software On a CGE mount. Processed by Carl O'Beirnes & Dave Grennan in ImagesPlus V3.5 and Photoshop CS2

Description: NGC2024 The HorseHead Nebula B33 HA (R+HA G,B) 240:240:90:120 28th of October through to 1st of November 2008 through a William Optics FLT-110 Triplet APO refractor Atik 16Hr cdd camera. Guided with a Celestron 80ED And Sac 4.2 ccd camera with phd guiding software On a CGE mount. Processed by Carl O'Beirnes & Dave Grennan in ImagesPlus V3.5 and Photoshop CS2
Top of Page